SLAMDANCE SCREENPLAY COMPETITION

ANNOUNCES WINNERS!

11th Annual Screenplay Competition
Top Ten Finalists: Greg Weed, Adam Lowery, Lisa Cole, Tamar Halpern, Mark Monroe,
Brian Wizemann, Anthony Meindl, Competition Director John Stoddard


1st Place
The Wonder Girls
(Drama)
By Anthony Meindl
Logline: Inspired by true events, The Wonders Girls is a young woman's story of hope and her journey for a better life amidst the cold and isolated world of an untrusting society filled with lies and deceit.
Anthony@AnthonyMeindl.com
2nd Place
Ezzy Fish
(Drama)
By Tamar Halpern
Logline: Two sisters escape the misery of their family's desolate motel in search of real answers to magical questions.
Manager Tom Drumm: Tdrumm@thesafrancompany.com
3rd Place
An Entire Body
(Drama)
By Bryan Wizemann
Logline: An Entire Body is five days in the life of Angela Jacobs, a single mother in Las Vegas who becomes pressured to give up her eight year old daughter in an under the table adoption.
bryan@ballastfilms.com
4th Place
Child in the Dark
(Horror, Thriller)
By Damian Lahey & Ian Ogden
Logline: In the weeks following the outbreak of a horrifying epidemic, a blind girl, alone in her house, must survive the night amidst the escalating violence and hysteria overtaking the world around her. As she waits on a convoy to take her to safety, this young girl must use all her strength and courage to make it through the night in this relentless story of suspense and terror..
Ian@IanOgden.com
5th Place
Mighty Oaks
(Comedy)
By Adam Lowrey
Logline: Underachieving trio run afoul of an intimidating Mexican restaurant owner in their attempt to succeed in the septic tank cleaning business.
adamlowrey@gmail.com
6th Place
Kidney
(Comedy)
By Stephen Lancelotti
Logline: An out of shape man on the verge of a jail sentence must get healthy and in shape in order to donate his kidney to his mother before he goes away. slancellotti@gmail.com
slancellotti@gmail.com
7th Place
The Falling Sky
(War, Action)
By Greg Weed
Logline: The Gulf War, Kuwait, 1991. Three reporters strike out away from their escorts and look for stories not spoon-fed to them by the Joint Information Bureau. When they find that story, one which could expose the war as not being completely goodwill and peace-making,they have to find a way out of the middle of the war zone in Kuwait, with assault coming from all sides Š the Iraqis, the Kuwaitis, the press, and even the Allied forces.
greg.a.weed@gmail.com
8th Place
The Atomic Avenger
(Family Adventure)
By Ryan Landels
Logline: Two young boys are entrusted with the super-powered decoder ring of their favorite televised crime fighter, only to quickly learn that sinister forces are hot on their trail...and that you can't believe everything you see on TV.
land_elsewhere@mac.com
9th Place
Porkchop & Slim
(Black Comedy)
By Seth Cash Schader
Logline: After hiding out in a rehab clinic for three weeks, a young street-junkie is hunted down by a charismatic, cross-dressing drug-dealer who wants to recover fifty grand in stolen cash.
fumanchu72@gmail.com
10th Place
My Name is Sue
(Drama)
By Lisa Cole & Mark Monroe
Logline: Inspired by a true story, MY NAME IS SUE is the harrowing journey of narcotics Detective Sue Webber-Brown, and her battle to save children from crystal methamphetamine homes.
lisa@jerkswithunderwoods.com



Past Winners | Finalist Feedback | Prizes | Screenwriting Resources | Mailing Address | FAQ

SEMIFINALISTS




HONORABLE MENTIONS (listed alphabetically)


Chronically Single

(Romantic Comedy)

By Abby Anderson

Logline: Alex, a freelance writer, gets a job writing a magazine column about dating - except that she never dates. Luckily, she has her friend Nathan for support. She assumes he's gay, but he's not.in fact, he has a huge crush on her. When Nathan realizes he's the "gay friend" in Alex's column, he 'stays gay' in order to be close to her.

movies@ca.inter.net


Strike!

(Historical Drama)

By Mary McKay

Logline: "No well-behaved women ever made history." In the snowy streets of Lawrence, Massachusetts in the winter of 1912, a young Irish widow leads other immigrant women mill workers as they battle the forces of bigotry and economic oppression in the famous "bread and roses" strike.

mcmm1@aol.com


When God Sleeps

(Drama)

By Daniel S. Elliott

Logline: In Africa, a young brother and sister are abducted from their village and forced to become ruthless child soldiers, and an American relief worker attempts to free them.

elliott.daniel@mayo.edu


SEMIFINALISTS (listed alphabetically)


A Fine Line

(Drama, Thriller)

By Sang Kyu Kim

Logline: A murderer on the run and the failed FBI agent in pursuit unknowingly befriend each other, when the killer loses his memory and starts a new, peaceful life as a different man.

Beatle23@hotmail.com


Alessandro

(Drama)

By Edmund Stubbing

Logline: Alessandro, 19, kills his friend, Maria (St. Maria Goretti). Alessandro does 30 years in prison. Maria comes to him in a vision and he promises to help Maria's mother, Assunta, who rejects God and will never forgive Alessandro.

luedstubbing@aol.com


Anglophile

By Heather Stricker

Logline: A neglected girl in Texas becomes obsessed with everything British, hoping to fulfill her dream of living in the UK and leaving her trailer park behind. Guiding her along the way is a recently widowed and retired professor who shares her affinity.

hjstricker@gmail.com


The Bonsai

(Drama)

By Jason Whiton

Logline: A Japanese American man reconnects with his family and his heritage when a mystical Bonsai tree takes him on an emotional journey through its past.
jasonwhiton@hotmail.com


The Boxer Molineux

(Historical Drama)

By P.A. Kent & Stuart Lindsay

Logline: When a tough American slave boxes his way to freedom, he confront racism and power politics on his way to a fight with the British bare-knuckles boxing champion, Tom Cribb. Based on a true story.

mackent1@comcast.net


Callous Behavior

(Genre-Drama)

By Francesco Gangemi
Logline-A group of high school students decide to kill a classmate, just to see what it would be like.

email-joesbrotherproductions@hotmail.com


Confession

(Drama)

By Jim Macak

Logline: A female attorney teams up with a young cop on disability leave with AIDS to clear a mentally handicapped man of a murder charge.

jimmacak@rcn.com


The Court of Lions

(Epic Love Story)

By Amy Quick Parrish

Logline: A young Christian Spanish woman held captive in a Moorish harem questions her loyalties when she falls in love with the Sultan who killed her father.
thecourtoflions@yahoo.com


Derailed

(Legal Thriller, Drama)

By Peter Pham

Logline: When a runaway train is purposefully derailed, spilling deadly chemicals in a small town and causing mass injuries and deaths, a big-city lawyer returns home to defend the case and faces the ghosts of his past.

peter.pham@usc.edu


Embracing Emily

(Drama)

By Jenny Lee

Logline: Haunted by her past, her future in trouble, Emily Park is forced to make a grown-up decision when she turns 30: she embarks for Korea, to seek out her long-estranged father and move forward with her life.

thejl@yahoo.com


Endings

(Drama)

By Chris Hansen

Logline: On what may be their last days on earth, three people -- a little girl dying of leukemia, a drug addict, and a housewife with breast cancer -- meet and see their lives altered forever as a result.

christopher_hansen@baylor.edu


Fun with Real Numbers

(Dark Comedy)

By Brie Williams

Logline: A high school freshman investigates the mystery of her mutilated cat, while her Algebra teacher is haunted by a phantom limb.

brielwilliams@gmail.com


Good Reasons To Freeze To Death

Genre: Drama

By Scott Honea

Logline: After being forced out of college for failing to pay tuition, a young girl returns home to find her emotionally bankrupt family on the verge of collapse. American Beauty set in a doublewide.

sahonea@yahoo.com


Ice Cold Kingdom

(Drama)

By James Mc Farland

Logline: A multi-layered narrative following the mysterious murder of a young woman in a remote town.

jamesanthonymcf@yahoo.ie


MAD

(Biopic)

By Nicholas Carr

Logline: The true story of infamous 1950's comic book publisher William M. Gaines, creator of Mad Magazine and Tales from the Crypt

nickcarr@gmail.com


Middle of Nowhere

(Drama)

By T.J. Brady

Logline: An angry young man feels trapped in his small town life until he discovers a way out - the brutal sport of Cage Fighting. When he loses his first match (badly), he turns to a reclusive retired Green Beret who teaches him how to survive both in and out of the cage.

thomasjbrady@hotmail.com


The Obit Writer

(Drama/Dark Comedy)

By Lisa A. Tignor

Logline: After realizing that her life will result in a boring obituary, a depressed young woman of Puritannical upbringing decides to embark on a series of adventures before committing suicide.

Adrenalisa@aol.com


The Paper Devil Game

(Drama)

By Jeni Yamada

Logline: An American woman and her reluctant husband take in a black South African man fleeing apartheid, and vow to bring his family to the United States, impacting their conventional Northeastern town and profoundly affecting the lives of all involved, including the woman's young son, who forms a deep bond of friendship with the visitor.

jeniyamada@gmail.com


Refuge

(Drama)

By Frances Overheu

Logline: There are some decisions no-one should ever have to makeÉ An Englishman struggles to save his family and closest friends from a plague that is plunging the world into anarchy.

foverheu@bigpond.com


Schooling Fish

(War Drama)

By John Franklin Grooms

Logline: Fractured by Hitler's schemes, a German family must survive WWII to be made whole once more.

jgr3779394@bellsouth.net


Rough Country

(Drama)

By Lee Ann Gun & Peter Phinny

Logline: A self-exiled thirty-six year old, forced to return to his Arizona hometown after eighteen years away, confronts human smuggling across the Mexican border.
pphinny@aol.com


Silent Thunder

(Drama)

By Leonard W. Miller & Leonard T. Miller

Logline: The true story of America's first black auto racing team owner, who earns his way to the Hall of Fame, battles a prejudice racetrack official on the grand prix circuit, while striving to sustain his family.

ltm02@earthlink.net


Stage Dad

(Family Comedy)

By Steven Butler

Logline: Gary desperately tries to mold his son (Earvin) into a great athlete, with no avail. When Earvin shows promise in the world of competitive dance, Gary embraces the situation and becomes "Stage Dad."

stevieopgraphy@aol.com


Stellunia

(Drama, Adventure)

By Jerry L. Jennings

Logline: "Stellunia" is the amazing true story of how a young girl uses her charm and intuition to survive impossible odds during the Holocaust and ends up in the same barrack with Anne Frank.

jerryj100@comcast.net


Sucker

(Comedy)

By Jerry Mahoney

Logline: A suicidal man's worst nightmare comes true when he's bitten by a vampire and realizes he's now immortal.

heyjerry@pacbell.net


Swoone

(Romantic Comedy)

By Loretta Chen

Logline: Sam G. Swoone, a famous, reclusive East Coast writer, must overcome his fear of open spaces to find and woo a San Francisco artist before her ex-fiancˇ manipulates his way back into her life.

lc_writer@sbcglobal.net


The Sword of Gary

(Comedy)

By Tim Stitzel

Logline: An arrogant fantasy writer with dreams of highbrow literary fame is banished to the world of his critically panned sword and sorcery novels. There he must complete a quest to save the kingdom he inadvertently doomed when he killed off the hero in an attempt to please the critics.

tim_stitzel@yahoo.com


Ta Kimbia

(Drama)

By Yasmine Bandali

Logline: When a Kenyan boy is forced to become breadwinner for his family, he must give up his dreams of professional running. But neither abject poverty nor corrupt officials can deter ambition - of running the grueling trails of the Rift Valley - and of winning the Boston marathon.

YBandali@peoplepc.com


The Unknown Actor

(Action/Historic Epic)

By Demetrious Polychron

Logline: When a young Unknown Actor meets William Shakespeare in London in 1601, he must overcome Court Intrigues, War and Rebellion to become the first actor to ever perform Hamlet.

dpolychron@aol.com


Wakeful

(Drama/Comedy)

By Rocco V. Iacovone

Logline: What do you get when you cross an enforcer for the mob who faints at the sight of blood and a man who commits a crime whenever he falls asleep in a town where three slacker cops havenÕt made an arrest in years intertwined with other unique personalities? A character driven drama with a touch of comedy.

pspanther@hotmail.com


When Days Run Short

(Horror/Supernatural)

By David Hoofnagle and Jerome Hoofnagle

Logline: The owner of a family-run funeral home discovers a monstrous secret his family has been hiding for generations.

dave@west10productions.com


Your Gay Friend Finder

(Romantic Comedy)

By Michael Shriro

Logline: A metrosexual man tries to avoid sexual harrassment by pretending to be gay, only to fall for his boss who believes she has found the ultimate gay male best friend.

michael.shriro@gmail.com


SHORT SCREENPLAY FINALISTS: (listed alphabetically)


Billy Arlington

(Thriller)

By Gina Hugo

Logline: A dinner is spoiled when the troubled host serves up a plate of revenge.
ginahugo@hotmail.com


Coyote

(Thriller, Horror)

By Sal Calleros

Logline: Three men cross the Mexican/American border only to find that there is more than the law waiting for them on the other side.

salcalleros@yahoo.com


Dead Pig Babies

(Dark Comedy)

By Brie Williams

Logline: It's the last day of summer, and a pre-teen roller-derby hopeful can't stop worrying about the upcoming pig dissection in her 7th grade biology class.

brielwilliams@gmail.com


The Red Chair

By Mario Zermeno

Logline: An unmotivated Steve finds the will to keep a last promise to his lover by taking their only prized possession, the red chair, and getting out of skid row to go somewhere beautiful.

zyrlu@sbcglobal.net


SHORT SCREENPLAY GRAND PRIZE WINNER:


Easy PickinsÕ

(Black Comedy)

By Will Hartman

Logline: Two thugs get more than they bargained for when they try to rob a little old lady.

will.hartman@ogilvy.com




QUARTERFINALIST ANNOUNCEMENT


(Screenplay Title, Script Number, Listed Alphabetically)



The Accidental Antichrist 5717

Accidentally Yours 6801

The Art of the Dodge 7227

The Atomic Avenger 4681

Agustina 7371

Alessandro 4021

Always Away 5998

Amen's Corner 6184

An Airtight Universe 4913

An Entire Body 6018

Angels of the Lost City 5747

Anglophile 5605

Ashy Alice 5715

Bad Rap 6056

Bannock & Bratwurst 5768

Between Ellis And Eddy 5437

Blank Slate 5379

The Bardo Travelogues 6764

The Body Politic 6282

The Bonsai 6426

The Book of Rapture 6911

The Boxer Molineux 7120

Breaking Seas 5257

The Building 6876

The Business of Love 6898

Callous Behavior 6642

Canary 5332

The Chalice of Chimera 6444

Child In The Dark 5798

The Chipotles 6827

Chronically Single 6664

Church & State 4958

Coldwater 6514

Confession 5092

The Continuing Story of Randall & Bill 4926

The Cool Kids 6202

The Court of Lions 7443

A Crossroad Called Manzanar 5263

Dead Single 7092

Deadbeat Boyfriends 6587

The Deposition 5988

Derailed 7126

Dose 7374

Down By Eight 6734

Eagle Valley 5742

Embracing Emily 7193

Empress Wu 5282

Endings 4676

Eternal Twilight 6045

Eve At the Bar 5307

The Execution 5248

Ezzy Fish 5411

The Falling Sky 6107

Fireline 7262

A Fine Line 6430

The Fix 7246

From Above 5373

Fun With Real Numbers 4521

The Gangster's Son 7528

GodfatherÕs Inc. 5568

Good Reasons To Freeze To Death 4927

Gorgeous George 4827

Grace's Pawn 7162

Guard #3 5973

Hands Up 7160

Hannah Rice 4954

Hatful Of Joy 5936

Heaven and Sea 6471

The High Cost of Parenting 6538

High Stakes Game 6717

Him Mortal 6544

His Name Was Henry... 4782

The Hitler Project 5520

Hospital Corners 7361

Human Resources 5719

Ice Cold Kingdom 5059

The Impossible New Language 5318

Innocent Borders 6149

The Jaenks File 7533

Jasmine 5818

Jedermann 6072

Jumping Into Hemingway's Pool 7058

Kidney 5293

Lad 5333

The Last Hanging in Pike County 5383

Legion 5370

Let it Bleed 7305

Life, Love, Death, and Rain 6874

Live Bait 5389

London Fog 6292

Lost Horizons 7496

LSOF 6923

Mad 6744

The Magdalene Dispensation 5525

Mighigan Ave. 5365

Middle of Nowhere 6887

Mighty Oaks 6380

The Mighty Quinns 7457

Milly and Cecil 7019

Mississippi 5547

Mistaken Identity 5618

Money Shot 7107

Mortal 5272

Murder, Divorce and Marriage 5344

My Dear Enemy 5740

My Name is Sue 5381

A Narrow Bridge 5505

The Nihilist 6848

Normal 5192

Not Dead Yet 6506

The Obit Writer 5497

The Observers 7149

Offline 5792

The Outpost 6497

The Paper Devil Game 7205

The Perfect Victim 5466

A Photograph of Sebastian Hood 6619

Porkchop & Slim 4786

The Post Office 6224

Postpartum 6735

Pot Luck 6310

Precious Life 5869

Professional Parent Aggravators 6671

Refuge 5269

Rendition 5025

Reply All 5002

Ride to Freedom 5524

Role Model 7034

Roleplaying 5728

Ronit 5315

Saberfrog 6917

Safe Place 6011

Sand 5827

Saratoga 6574

Saturday School 7096

Scenic River 4163

Schooling Fish 6341

The Sealed Room 5546

Served Cold 7393

Seven Red Dresses 7078

Silent Thunder 6256

Silicon Bombay 6369

Snowbirds 7477

The Southerland School 6922

Stage Dad 5527

The State Of Being 5345

Stellunia 6894

Steps 4787

Strike! 6252

Suck 5854

Sucker 5003

Sunshine and The Lizard King 6966

Swoone 5247

The Sword of Gary 7287

Synesthete 7526

Ta Kimba 5026

A Traitor's Penance 4902

The Unknown Actor 5631

Those Who Wait 7119

Three Dollar Billingsley 7052

Ties that Bind 5556

Time And Love 6715

To Have and to Hold 7263

Tres Besos 6918

Unaware 5329

Unnatural Girl 7407

Vanished 7425

Wakeful 7327

Waking Auden 4985

The War On Christmas 5454

When Days Run Short 7250

When God Sleeps 5330

When October Goes 7087

Whipple 5813

Why, MN 4980

Wilde High 5837

The Wonder Girls 5860

Wrath 6979

You Have the Right to Remain Violent 5416

Your Gay Friend Finder 6338



SHORTS



Alien Hill 6833

Billy Arlington 5319

Butterbean 7490

Chucklehead Jones 6216

Clown Pants 7023

Coyote 5705

Dead Pig Babies 5654

Easy Pickins' 5675

Felix finds a Match 5410

Fluffy 5638

Follow The Signs 7060

Last Call 5671

Le Siren 7372

The Red Chair 5146

Sandpaper 5651

Shy 5395

Sniff 7169

The Suicide Club 7289

Sunnier Days 5349

When Barry met Dolly 5999


OVERVIEW

  • The Slamdance Screenplay Competition is dedicated to new writers. We accept screenplays in every genre, on any topic from every country around the world. Our mission is to bring attention to the most talented emerging screenwriters and introduce them to the industry.
  • If you have any problems while submitting, or any questions about the submission process just e-mail us!

DEADLINES

  • To Request A Deadline Extension E-mail: screenplay@slamdance.com

  • ANNOUNCEMENTS


  • Round II Announcement: August 24, 2007
  • Quarterfinalist Announcement: September 10, 2007

  • Semifinalist Announcement: September 28, 2007
  • Top 10 Announcement: October 5, 2007

  • EARLY ANNOUNCEMENTS


    To find out if your screenplay has made it the second round of consideration we offer a special early announcement option (click for more information):

    Early Announcement Submission Deadline: postmarked by February 16, 2007
  • Round (I) Early Announcement: April 6, 2007

  • Early Announcement Submission Deadline: postmarked by May 18, 2007
  • Round (II) Early Announcement: July 6, 2007

ENTRY FEES

    Base Fee:
  • $40 Feature Length Screenplays

  • All entries include online feedback

    RESUBMISSIONS


    Base Fee:
  • $30 Screenplay Resubmissions (what's this?)

  • ADDITIONAL FEES


  • +$1 per page in excess of pg. 120
  • +$15 Early Announcement Option (what's this?)

  • COVERAGE FEES


  • +$50 Online Coverage Service Available in 1-2 months (what's this?)

  • RUSHED COVERAGE SERVICE


  • +$80 Coverage Available in 1-2 weeks (do not combine with Coverage Fee)

  • SECOND READER OPTION


    To guarantee that a second reader reviews your script, we give you the option to ensure an extra read (click for more information):

  • +$25 guaranteed second reader (without coverage)
  • +$60 Second Coverage from different reader
  • +$90 Second Rushed Coverage

  • DISCOUNTS*


  • -$5 Students
  • -$5 International Submissions
  • -$5 Multiple Scripts (per script)

  • *cannot be combined or used with promotional discounts

ENTRY PROCEDURE

  1. Completely read through the entire entry procedure, rules, guidelines and selction rpcess. Then create a Slamdance.com Account that includes your current contact information, or sign in using an existing Slamdance.com Account.
  2. Select the "create new application" option and fill out the information on your screenplay. When you have completed the form, select "save application" (you may update any application with new information at any time throughout the competition).
    (a) If you are resubmitting, select the "Resubmit" button that appears next to your existing screenplay title instead of selecting "create new application".
  3. Select the "Print" option that appears next to your new screenplay title. This should print out your Application and Screenplay Cover.
    (a) Bind the Screenplay Cover to the front of your screenplay. Do not bind the Application or payment to your screenplay.
    (b) Sign the Competition Release Form at the bottom of your Application, include in your submission package.
    (c) If you choose, you may also include a logline (or short synopsis) and notes to the reader (what's this?) bound within the script just behind the Screenplay Cover: example.
    (d) If you cannot print the Application or Screenplay Cover from our online system, please fill out a hard copy application and recreate a cover page based on this example. If you have any technical difficulties email dave.
  4. Choose from the following payment options: Feature Credit Card Authorization Form (Mastercard and Visa); Check or Money Order made out to Slamdance. You may use one payment for multiple submissions
  5. Include payment, printed application and screenplay/s and send to:
    Slamdance Screenplay Competition
    5634 Melrose Ave.
    Los Angeles, CA 90038.

    ELECTRONIC SUBMISSION OPTION


    Follow all of the above steps, but instead of sending us a hard copy of your screenplay/s you may choose to send us an electronic (pdf) version by e-mail or send us a copy on CD. If you choose to e-mail, send a (pdf) version of your screenplay to coverage@slamdance.com. In both cases, but especially if you decide to e-mail us, please make sure that your (pdf) is properly compressed (ideally no larger than 1MB). In both cases, if you can also fill out a credit card authorization form and application electronically, include them in your e-mail or send them on the same disc with your screenplay; or you can fax the application and credit card authorization form to: (323) 466-1784. If you choose to pay by check, or cannot fill out the information electronically, you need to send an application and payment via mail. In any case, do not include a copy of the screenplay cover. Also, when formatting your screenplay, please do not include any contact information in the version that you send us (all contact information will be included on your application). When identifying the document you send us, please use the name of your screenplay (and the ID number if possible). If you send by e-mail, please include the name of the screenplay, your name and screenplay ID in the text of your e-mail.

    WARNING! The Slamdance office only a has one fax machine working on one phone line that will no doubt be jammed by screenwriters submitting material at the last minute. If the fax machine is busy, don't worry about it. We're flexible; e-mail your submission by the end of the day of the 18th, but feel free to fax us your application and payment during the weekend or Monday the 21st. Please do not fax us the cover page for your screenplay, as it explains above, if you are submitting electronically, we don't need it.

    SUBMISSION PACKAGING


    Screenplays should be bound with brass brads (if that is not possible, the next best thing is to send an unbound script that is three-hole punched). Please include a Slamdance-style Screenplay Cover page on top (and a logline/synopisis and optional notes to reader if you choose). You do not need to use a card stock cover. Please do not include contact information bound inside your screenplay. Your printed application and payment should be in the same package that you send to the Slamdance office, but not bound inside your screenplay. Packages can contain multiple submissions. Submissions should be organized and bound in the following order:

  • Front Page - Screenplay Cover
  • Page 2 - Logline & Optional notes to reader
  • Page 3+ - Screenplay Submission

  • PDF PRINT OUTS


  • Please do not provide additional print outs of the Hard Copy Application or Screenplay Cover if you print them from our online system.
  • Hard Copy Application
  • Screenplay Cover
  • Logline and Optional Notes to Reader
  • Feature Credit Card Authorization Form

RULES

  1. Screenplays must not have been previously optioned, purchased or produced
  2. Screenplays must not have received awards from other competitions over $500
  3. Screenwriters who have had previous feature screenplays produced and distributed by non-independent means are ineligible
  4. Screenwriter/s must sign the Competition Release Form on the application printout and include it with their submission to be considered at any level of competition
  5. Screenplays must be in English, formatted with 12-point courier font
  6. We only accept checks made out to Slamdance that drawn funds from an American bank and Money Orders or Traveler's Checks in US funds. To pay by credit card, fill out a Feature Credit Card Authorization Form, and send it with your application and screenplay
  7. Checks returned to us for whatever reason will incur a standard $25 fee on top of the original entry fee that must be paid, even if you choose to pull your script from the competition
  8. Screenplays will be charged a processing fee of a $1 per page in excess of 120 pages
  9. Screenplays must be copyrighted or registered material
  1. Please print the Application and Screenplay Cover from the Slamdance website. If you have trouble using our online system to print, create a Screenplay Cover based on the provided template and fill one a Hard Copy Application
  2. Do not include your name or contact information bound in your screenplay
  3. Should you choose to provide a Logline and Optional Notes to Reader please do not include a separate title page or any additional synopsis, bios or treatments
  4. Only include contact information for the Primary Contact on your online application or hard copy application
  5. In the event of multiple writers, list all additional co-writers; awards will be divided equally among co-writers
  6. We prefer that screenplays be bound using standard brass brads. However, we still accept unbound screenplays, scripts printed on A4 paper, etc. Please try to print your script on three-hole punched
  7. Include a self-addressed stamped postcard for delivery confirmation. Do not call the Slamdance office to confirm the arrival of your script
  8. Slamdance is not responsible for screenplays or coverage stolen or lost in transit
  9. You may include multiple screenplays in the same mailing, and pay for multiple screenplays using one payment.

    WHAT'S THIS?

    Online Feedback


    Everyone who submits a script to Slamdance will get a response from our readers that includes a log-line & genre suggestion and an indication of the strongest and weakest categories. Feedback is minimal compared to the extensive notes provided with our Online Coverage Service. To view a sample of the feedback provided for every entry, use this link Sample Feedback.

    Online Coverage Service


    Slamdance Online Coverage is broken up into five different catagories. It includes a comprehensive story breakdown/concept summary and goes on to address "what works", "what doesn't work" and "how it can be improved". These three categories are the heart of the coverage and should be used for further revisions. The final category is to give the screenwriter an idea of "what is the next step" in their writing career. This will address media, films, screenplays, production companies and agencies they should be aware of as well as any words of wisdom from an industry professional. Slamdance coverage will give you insight into the mind of a reader who reads a few hundred screenplays a year and will assist in crafting the submission into something that can advance in any competition and impress agents, reps, and producers. Online Coverage will be available within one to two months from the time you submit. The earlier you submit, the sooner you will receive coverage. An e-mail will be sent to the address that you provide when the coverage is available. To learn more about our year round coverage service click here. To view sample coverage use this link: Sample Online Coverage Service

    Rushed Coverage


    Online coverage will be available within one week of arriving in the Slamdance office. All of the above details apply to the Rushed Coverage Service. The cost is in addition to the base fee: ($30-$40) plus an additional $80. Do not include the fee for basic coverage service ($50). An e-mail will be sent to the address that you provide when the coverage is available. To view sample coverage use this link: Sample Online Coverage Service

    Resubmissions


    We offer a resubmission discount for those resubmitting work from past Slamdance Competitions. Sign on to the Slamdance website using an existing user ID and password; right beside the application title of the original submission there will be a resubmit button. Select this option and fill out a new application.

    Early Announcement Option


    Select this option if you would like to know the status of your submission before the official announcement of our Semifinalists on August 20, 2007. If you submit by February 16, 2007 and pay the additional fee (+$15) you will be informed of your status on April 6, 2007. If you submit by May 18, 2007 and pay the additional fee (+$15) you will be informed of your status on July 6, 2007.

    Second Reader Option


    We encourage you to select the multiple reader option. Based on the comments and score of the first reader, a percentage of scripts will go on to be read multiple times for finalist contention. But to guarantee that a second reader reviews your script, we give you the option to ensure an extra read. Keep in mind that quality scripts will be read multiple times regardless of the additional fee.

    Optional Notes to Reader


    Please provide textual information or issues you would like addressed by the Reader in your online coverage (300 word max). For an example of what the layout we would like you to use, click here.

SCRIPT REGISTRY

    We want to protect your work and the integrity of our competition. To register your script with the Writers Guild of America, west, visit www.wga.org or call (323) 782-4500. Registering your screenplay with the Guild secures your work with the world's leading intellectual property registration service. You can register your work 24 hours a day online, by mail or in-person at the WGAw headquarters in Los Angeles.

SELECTION PROCESS

    The first two readers will determine whether the screenplay will be passed on to the second round of the competition. Over half of the screenplays submitted make it to Round Two. From those screenplays, the top 200 will be chosen as Quarterfinalists. Then fifty semifinalists will be selected and ultimately the top 10 will be announced at the Writers Guild of America in September.

    Scoring Details


    Screenplays that are submitted to the Slamdance Screenplay Competition as well as our Online Coverage service are judged using five technical categories: Character, Dialogue, Story, Structure, and Originality. We also use what is called a "Sparky" score that is meant to gauge the reader's emotional response. These scores are used to determine what scripts make it the quarter & semifinals and the top ten, as well as focusing the critique on the areas in need of the most revision. Please note that number scores will not be revealed to the screenwriter, nor will the score sheet ever be available for review. To view a sample of the score sheet that our readers use this link: Sample Score Sheet

    Slamdance Readers


    Slamdance Readers are all industry professionals and all have a combination of the following qualifications: professional coverage background, production/development executors, fellow competitions readers, professional writers, writers assistants, Slamdance alumni filmmakers and screenwriters, playwrights and journalists. For more information on a private script consultation with a Slamdance reader, click here.

PRIZES

  • 1st Place: $7,000
  • Writers Boot Camp will award the 1st place winner with a certificate for the Immersion Program (valued at $1,295) and certificates for the Basic Training Program to 2nd and 3rd place (valued at $895 each)
  • The top ten screenwriters will receive Final Draft screenwriting software
  • The top ten screenwriters will receive StoryView software
  • The top ten screenwriters will receive a year subscription to Script Magazine
  • The top ten screenwriters will have the option of using Inktip to network their project to the industry
  • Selected material will be read On Stage in Los Angeles, New York and Park City
  • The top ten screenwriters will receive prize packages that include Festival Passes good for all screenings and parties at the Slamdance Film Festival in Park City, Utah (January, 2008)
  • The top ten screenwriters are eligible for membership in the Writers Guild of America's Independent Writers Caucus
  • The top ten screenwriters will receive merchandise from the Slamdance Shop
  • Production companies, studios, agencies and managers request to read our top scripts

Enter today!



SCREENWRITING RESOURCES
Resources
Absolute Write
Hollywoodlitsales.com
InkTip.com
Moviebytes.com
Script P.I.M.P.
So... You Wanna Sell a Script
Screenwriters Utopia
Writers Boot Camp

Events & Locations
Hollywood Pitch Fest
Screenwriting Expo
Scriptwriters Showcase
The Writers Store

Magazines
Creative Screenwriting Magazine
Hollywood Scriptwriter
Scr(i)pt Magazine
Written By

Books
“Adventures in the Screen Trade” by William Goldman
“Easy Riders, Raging Bulls” by Peter Biskind
“How Not to Write a Screenplay” by Denny Martin Flinn
“Screenplay” by Syd Field
“The Screenwriter's Bible” by David Trottier
“The Writer Got Screwed (But Didn't Have To)” by Brooke A. Wharton

Registration
Writers Guild of America, West
Writers Guild of America, East
United States Copyright Office
ProtectRite
Writers Guild of Canada

Screenplay Formatting
Simply Scripts
Drew's Script-O-Rama

Other Competitions
Austin Screenwriting & Teleplay Competition
Cinequest Screenwriting Competition
Big Break International Screenwriter Contest
Nicholl's Fellowship for Screenwriting
The Insider Screenplay Competition
ABC Disney Fellowship
WB Writers Workshop
The Writers Network Screenplay & Fiction Competition


INDUSTRY FEEDBACK

"Some of the best material comes from Slamdance — I should know!"
-Lee Daniels, producer of MONSTER'S BALL, and the Slamdance winner and Sundance hit, THE WOODSMAN

"I was very happy to get a chance to meet with other screenwriters in Park City. The festivals tend to be a bit director-centric, and it was useful to have the opportunity to talk about work with fellow writers."
-Benjamin Brand, WGAw screenwriter, NOVEMBER

"I have found Slamdance to be an unmatched source of new talent. From new directors in the festival to undiscovered writers in the Screenplay Competition Slamdance remains a goldmine of new talent and material."
-Stephen Isreal, producer, SWIMMING WITH SHARKS

"The Slamdance Screenplay Award received by Joshua Marston for MARIA FULL OF GRACE was the first public validation of the project... the publicity surrounding this award helped put the project in the public eye."
-Paul Mezey, producer, MARIA FULL OF GRACE

"Slamdance's mission by filmmakers, for filmmakers is perfectly aligned with that of the WGAw Independent Writers Caucus. We're here to support and protect new writers and projects of any budget level."
-Jill Sprecher, Independent Film Steering Committee Member, co-writer and director of THIRTEEN CONVERSATIONS ABOUT ONE THING.


FINALIST FEEDBACK

"Winning Slamdance was an incredible moral booster and the seal of approval that made the industry stop and take notice."
-Nicole Kassell, 2001 Slamdance 1st place winner and director of THE WOODSMAN

"When I wrote NEO NED I had absolutely zero contacts in the movie business. NEO NED was optioned and produced because of the exposure I got in the Slamdance screenplay competition. Van Fischer, the director, found my script while he was showing his first movie at the Slamdance Festival."
-Timothy Boughn, 1999 Slamdance Finalist NEO NED

"Slamdance doesn't care about marketability, proven formulas nor insider politics--they care about unique, moving, well-told stories. To have fellow filmmakers and storytellers embrace my screenplay, and to be in the company of so many talented writers, sets Slamdance far above others in the crowded world of screenplay competitions."
-Todd Holmes, 2005 Slamdance 1st place winner PREETI GIRL

"As screenwriters we're running a marathon -- although it is exhilarating, we are bound to get tired or discouraged because it's a long journey. The Slamdance community is lined up along our path with water bottles, cheering us on."
-Amir Ohebsion, 2004 Slamdance 1st place co-writer THE APOLOGY

"It is so gratifying to be surrounded by such a dedicated and passionate group of filmmakers. I know I am in a special place now."
-Miranda Kwok, 2003 Slamdance 1st place winner, SONG OF SILENCE

"Slamdance is a great experience; it really is 'a festival for filmmakers by filmmakers'. It's like eating at a family-style restaurant where everyone is hungry for innovative, creative nourishment!"
-Tom Lewis, 2002 Slamdance 1st Place winner, SPY

"Having our names and script posted on the Slamdance Web site gave us a massive boost in visibility. So many industry people contacted us based on that."
-John Douglas Sinclair, 2005 Slamdance Finalist SPLIT INFINITY

"The award means a lot to me because I know that my script was read by people who love film and take film to heart."
-Tayna Steele, 2003 Slamdance 2nd place winner, THE PARACHUTE FACOTRY

"Winning third place at Slamdance had done more for me than winning first place at other contests."
-Gary L. Miner, 2003 Slamdance 3rd place winner, WIZARD OF GENOA

"Being a top ten finalist in Slamdance's screenplay competition gave me what felt like overnight exposure. Within twenty-four hours of their announcement I was receiving queries from agents and producers."
-Chris Rodgers, 2004 Slamdance Finalist, EMMA

"When I realized Slamdance had previously recognized two of the most moving films IÕve seen in recent years, THE WOODSMAN and MARIA FULL OF GRACE, I thought, 'I want to be part of that club'."
-Tamara Farsadi, 2005 Slamdance Finalist, GREEN SHAG CARPET GIRLS


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